judgment: from postmodern literature to islamic thought

from linguistics to literature: a linguistic approach to the study of linguistic deviations in the turkish divan of shahriar

chapter i provides an overview of structural linguistics and touches upon the saussurean dichotomies with the final goal of exploring their relevance to the stylistic studies of literature. to provide evidence for the singificance of the study, chapter ii deals with the controversial issue of linguistics and literature, and presents opposing views which, at the same time, have been central to t...

How emotions inform judgment and regulate thought.

Being happy or sad influences the content and style of thought. One explanation is that affect serves as information about the value of whatever comes to mind. Thus, when a person makes evaluative judgments or engages in a task, positive affect can enhance evaluations and empower potential responses. Rather than affect itself, the information conveyed by affect is crucial. Tests of the hypothes...

How the pre-islamic persian literature passed to the arabs

7 From the Modern to the Postmodern

I nternational communication theory and research historically have done well with those subjects that characterize modernity, such as the nation-state and "the fact." Today, however, it is the postmodern condition within which communication takes place-a condition also known as the information society, for many of the critical features of postmodernity are the effects of the use of new informat...

From thought to action

Systems engineering is rapidly assuming a prominent role in neuroscience that could unify scientific theories, experimental evidence, and medical development. In this three-part work, I study the neural representation of targets before reaching movements and the generation of prosthetic control signals through stochastic modeling and estimation. In the first part, I show that temporal and histo...

Divine Vision: Islamic Arts and Horizontal Thought

Islamic arts are often identified by their abstract compositions based on geometric principles and spiritual concepts. Using artworks from different eras, this paper highlights the presence of a particular model of thought in Islamic arts in which the hierarchy of perspectival vision is abolished. The main argument is based on the ability of some artworks to be looked at from any angle while ma...